As you can see from the complicated wireframe pictured above, the husband was never intended to move. However, he was intended to look alive, so I created a few morphers for the face and hands, slight twitches of the fingers and lips and three yawning morphers; the shirt and jacket were then skinwrapped to a chest proxy, which had it's own set of "heaving" morphers, which enabled us to retain the impression of life.
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